---- Original message ----
>Date: Wed, 2 May 2007 13:31:26 -0700 (PDT)
>From: peter@xxxxxxxxxx
>
>Not to mention that Foucault continued to pay homage to figures not only
>from France but also from Germany like Heidegger, Nietzsche, and Kant for
>their influence on his methods.
He also engaged in dialogue with people like Shugi Terayama the Japanese
avant-garde theatre director (''Le savoir comme crime', 1976), lectured in Japan,
lectured in Brazil and spoke with people there. There is also North Africa, an
early article on African art ('Veilleur de la nuit des hommes' 1963), there are the
influences on Foucault's work of eighteenth century English gothic novelists.
There are also Eastern European references plus Iran. In short lots of stuff.
Clare
****************************************
Clare O'Farrell
email: c.ofarrell@xxxxxxxxxx
website: http://www.michel-foucault.com
****************************************
>Date: Wed, 2 May 2007 13:31:26 -0700 (PDT)
>From: peter@xxxxxxxxxx
>
>Not to mention that Foucault continued to pay homage to figures not only
>from France but also from Germany like Heidegger, Nietzsche, and Kant for
>their influence on his methods.
He also engaged in dialogue with people like Shugi Terayama the Japanese
avant-garde theatre director (''Le savoir comme crime', 1976), lectured in Japan,
lectured in Brazil and spoke with people there. There is also North Africa, an
early article on African art ('Veilleur de la nuit des hommes' 1963), there are the
influences on Foucault's work of eighteenth century English gothic novelists.
There are also Eastern European references plus Iran. In short lots of stuff.
Clare
****************************************
Clare O'Farrell
email: c.ofarrell@xxxxxxxxxx
website: http://www.michel-foucault.com
****************************************